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Showing posts with label Suspense. Show all posts
Showing posts with label Suspense. Show all posts

Tuesday, January 29, 2013

Race 2

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Bollywood full movie Race 2 2013 DVDscr free downloading
Duration | 02:30 (H : M)
Format | AVI
Size | 181 (MB)

Bollywood full movie Race 2 2013 DVDscr free downloading
Duration | 02:30 (H : M)
Format | 3GP
Size | 207 (MB)

Bollywood full movie Race 2 2013 DVDscr free downloading
Duration | 02:30 (H : M)
Format | MP4
Size | 227 (MB)

Monday, January 28, 2013

Race 2

Watch Indian Movie Race 2 (2013) Online Part 01
Watch Indian Movie Race 2 (2013) Online Part 02
Watch Indian Movie Race 2 (2013) Online Part 03
Watch Indian Movie Race 2 (2013) Online Part 04
Watch Indian Movie Race 2 (2013) Online Part 05
Watch Indian Movie Race 2 (2013) Online Part 06

Watch Indian Movie Race 2 (2013) Online Part 01

Watch Indian Movie Race 2 (2013) Online Part 02

Watch Indian Movie Race 2 (2013) Online Part 03

Watch Indian Movie Race 2 (2013) Online Part 04

Watch Indian Movie Race 2 (2013) Online Part 05

Watch Indian Movie Race 2 (2013) Online Part 06


Watch Indian Movie Race 2 (2013) Online Part 01

Watch Indian Movie Race 2 (2013) Online Part 02

Watch Indian Movie Race 2 (2013) Online Part 03

Watch Indian Movie Race 2 (2013) Online Part 04

Watch Indian Movie Race 2 (2013) Online Part 05

Watch Indian Movie Race 2 (2013) Online Part 06



Monday, October 29, 2012

Bhoot Returns


Sunday, September 9, 2012

Raaz 3

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Friday, April 20, 2012

Kahaani

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Thursday, March 22, 2012

Kahaani





Monday, September 19, 2011

Cape Karma

Tuesday, May 24, 2011

Shagird







Monday, May 16, 2011

Shagird

Shagird

Cast: Nana Patekar,Anurag Kashyap,Mohit Alawat, Rimi Sen, Zakir Hussain
Director: Tigmanshu Dhulia

There is something about a Nana Patekar cop drama that makes one look forward to it despite the time lag that may have set in. 'Shagird', despite it's near to nil publicity and zilch hype, is one such affair that one wants to watch. Thankfully, the wait is worth it as 'Shagird' turns out to be a gripping unpredictable entertainer that keeps you hooked to the proceedings for it's two hour duration.

As a Senior Officer in the Crime Branch, Nana Patekar is an epitome of a corrupt officer. He loots the rich and fills his coffers while also sharing the booty with his staff. Comfortable as being a part of the system, he is hand in glove with politicians (Zakir Hussain), goons (Anurag Kashyap) as well as officers higher up and also imparts the same training to his 'shagird', the new recruit (Mohit Ahlawat). A trigger happy cop who wants to finally leave this rut and move to New Zealand with his family forever, he devises a master plan. But then is he actually the one who is playing the game or he is the one who is being played?

This isn't the first movie about cop-politician-mafia nexus that has been made and would certainly not be the last. However while one did suspect if this would be turn out to be 'Ab Tak Chappan 2' or perhaps a rehash of any other Ram Gopal Varma gangster affair, 'Shagird' ends up surprising audience, courtesy Tigmanshu Dhulia who brings newness to the proceedings. A songless affair, 'Shagird' also works due to it's unpredictable twists and turns. Also, quite a few scenes stand out to leave a very good impression. The hotel scene where Nana and Mohit interact for the first time, a couple of encounters that they are a part of, Nana's meeting with Zakir at his bungalow in both halves of the film (though with different intent), Anurag's release from Jail and then especially the last 20-25 minutes where you just can't point on where the proceedings would eventually head towards 'Shagird' stays on to be a gripping affair.

Nana Patekar is terrific while an unpredictable conduct of Mohit brings spice in the proceedings. If Nana does what he has been doing quite well for decades now, Mohit too throws a pleasant surprises by playing a cop who can be a softie or a toughie on the demand of the situation. Zakir Hussain's characteristic mannerism is another strong reasons that keeps you glued to the screen. As for Anurag Kashyap, he is so loveable as a 'bhaiyya' goon that you want to see more of him. Rimi Sen is an integral part of the story, fits in well but doesn't get to play a regular heroine per se. Also, her feelings for Mohit aren't quite detailed well and seem a tad undercooked.

However the sole episode that stands out as a sore thumb is the one involving a kidnapping sequence and the scenes that subsequently revolve around it. They don't hold the kind of dramatic edge that the rest of the film boasts of. Moreover Nana's frequent references to old Hindi film songs not just become repetitive after a point in time but also irritating as it threatens to break the thrilling mood of the situation. Leaving aside these minor hiccups, 'Shagird' stays on to be a winner with dialogues turning out to be a major USP of the film. They alternate from being acidic to humorous, hence bringing in a variety to the proceedings.

Post the success of 'masala' films like 'Dabangg' and 'Once Upon A Time In Mumbaai', one is back to being interested in seeing cop dramas on screen. Moreover, Nana Patekar is synonymous with films like 'Ab Tak Chappan' and before that 'Yashwant'. No wonder, you expect 'Shagird' to be better as it is helmed by Tigmanshu Dhulia (of 'Haasil' fame) who returns after a hiatus. Thankfully, the expectations are exceeded by this two hour affair that turns out to be a satiating affair.The '90s cinema actually witnessed a lot of high octane drama, heroism and jingoism. Among the many actors that actually became instant favourites of the masses was the unconventional star Nana Patekar who with his unflinching flair of calling spade a spade struck a chord with his audience and gave many hits.

In the recent times too he's had many great roles to his credit however; they've all been character roles. Now in the times when the choices of cinema goers have become very unpredictable comes Tigmanshu Dhulia's Shagird that rides high only on Nana Patekar. It only remains to see whether the audience accepts it or rejects. Shagird is about a corrupt crime branch officer Hanumant Singh (Nana Patekar) who has his ways of minting money both from the public as well as from Politicians. He works closely for Politician Rajmani Singh (Zakir Hussain). Mohit i.e Mohit Ahlawat joins the team as a sub-inspector under Hanumant Singh. How Mohit learns the tricks of trade being under Hanumant and becomes his true Shagird in the end is what the film is all about.

Shagird with all its jaded sensibilities appears to be a film of the yore which has lost its market in the present times. However, filmmaker Tigmanshu Dhulia still tries to pitch it as Yeshwant or Ab Tak Chhappan but fails miserably at it. The film lacks not just in narrative which is very haywire but also in screenplay, acting and direction. The story of the film proceeds in bits and chunks, each running in tangent from the other at times making you wonder how and why a certain scene popped up out of nowhere. For a one line plot as this, it has many unnecessary scenes which only test the patience of the viewer. For instance, the romantic angle between Mohit and his journalist friend played by Rimi Sen or the terrorist angle where three renowned reporters gullibly fall for a trick and get kidnapped.

Shagird only works for Nana's act of a cynical cop where you get a glimpse of his brilliance. However, even his character takes a serious beating due to the faulty script. Mohit Ahlawat in his part hardly offers anything to look out for. Zakir Hussain as a scheming Politician acts well and filmmaker Anurag Kashyap as an underworld gangster Bunty Bhaiya is brilliant in his part. Rimi Sen barely has anything to do in the film.There is this utterly delightful action sequence where Nana Patekar, playing a belligerent corrupt but effectual cop in a crime-infested small town of Uttar Pradesh run by the political mafia, barges on to a nefarious hideout.

He peeps into the room where the goons are watching a vintage black-and-white song on television. Then they switch to a channel airing a Himesh Reshammiya song. Patekar slams into the room and shoots them all down. "This is what happens when you listen to the wrong songs." The savage humour of this sequence stays with you in a film that could have made a much more forceful impact had "Shagird" come four years earlier. Given today's jaded political scenario with politicians of both genders perpetrating the most obnoxious deeds of corruption on the national exchequer, the Bunty bhaiyas and the Shakeel bhais of this film appear to be relatively harmless creatures of the underworld. Like the cops in the films of earlier millennium, this film arrives a little late after the action is over. The film exudes the scent of jadedness. That could also be because of the characters who are so steeped in corruption and debauchery they seem born for hell. However, the feeling of experiencing something decadent seeps deeper into the narrative.

Much of the goings-on fall into the realm of 'realistic' cinema located in the cow-belt that has been a staple of a certain breed of directors like Vishal Bhardwaj, Anurag Kashyap and Tigmanshu Dhulia. The absence of an inspiring budget repeatedly takes its toll on the narrative's claim to credibility. There are innumerable sequences which jump out of nowhere, and not in a startling but annoying show of unpredictability. The kidnapping of the TV journalist Rimi Sen and her two colleagues by militants looks so staged you wonder how seasoned professionals could fall for it.

What works are some of the dialogues and Nana's wry cynical cop's part. He brings in that familiar yet engaging element of intrepid defiance into the theme of corruption and compromise. Here again, the role suffers from a sense of staleness. Nana and his shagird from the police department were far more warmly portrayed in Shimit Amin's "Ab Tak Chappan" by Nana and Nakul Vaid. "Shagird" is not devoid of merit. The Nana character's affinity to vintage film songs gives a centre to an otherwise-doddering tale of desperate corruption. They don't make songs like they used to. Neither do the contemporary cops thrillers like "Dum Maaro Dum" and "Shagird" match the brutal persuasive powers of past cops flicks like "Zanjeer" and "Ardh Satya".

Monday, May 2, 2011

Dum Maaro Dum

Tuesday, April 26, 2011

Dum Maaro Dum

Friday, April 22, 2011

Dum Maaro Dum

Cast: Abhishek Bachchan, Prateik Babbar, Bipasha Basu, Rana Daggubati, Aditya Pancholi
Director: Rohan Sippy

Dum Maaro Dum starts with a small montage of blockbusters of yesteryears including the likes of Sholay, Shaan, Saagar, to the recent Bluffmaster giving way to the logo of Ramesh Sippy Films. This boastful display itself raises your expectations from DMD sky high. Lorry (Prateik Babbar) fails to bag a scholarship at an international university while his girlfriend Tanya (Anaitha Nair) does. Distraught for having been left behind, Lorry gets convinced to become a carrier for drugs in order to get the admission fee. Despite all precautions, he gets caught at the airport, the local peddler who got him into it is dead and the Baap of all goons, Michael Barbossa isn't known to anyone.

Joki (Rana Daggubati) a local crooner is lovelorn for having lost out on his girlfriend Zoe (Bipasha Basu) to Drug Mafia Lorsa Biscuitta (Aditya Pancholi) who blackmails her to become his keep. Joki doesn't want his friend Lorry to lose himself the way his girlfriend did hence he tries saving him but comes in the bad books of Michael Barbossa. ACP Vishnu Kamath (Abhishek Bachchan) is hired to steer clear Goa from all the drug dealings. He busts the crime rackets one after the other but stumbles upon a block - that of a so called Michael Barbossa who apparently hasn't been seen or heard off by anyone but has a major chunk worth 970 Crores of drugs under his wings.

All three stories are connected at one moot point Who or rather where is Micheal Barbossa? Unraveling of this suspense forms the rest of the story. Directed by Rohan Sippy, DMD tries too hard to be stylish and snazzy and in the process loses out on its grittiness. The way Abhishek Bachchan breaks into the song Thyan Thyan appears very filmy. The first half of the film has a great build up to an interesting suspense drama but it starts trudging in the second half and even the revelation of the suspense is tad disappointing.

What works for the film is the slick editing by Aarif Shaikh and great cinematography by Amit Roy. The way Goa and its rave parties are captured is commendable. The film has too much dramebaazi giving a very 90s "Bollywoodish" feel. Music by Pritam works only in parts. Deepika Padukone's item number is very average.

Abhishek Bachchan is impressive as a Cop. Prateik disappoints in his part. South Star Rana Daggubati is average while Bipasha Basu acts decent. Aditya Pancholi fails to do justice to his character. A maniacal villain in this film could've worked wonders. Over all, Dum Maaro Dum does have the ingredients for an interesting one time watch. A romantic song, suspense element, an item number, action, drama etc should be reasons enough to entice the audience. New Delhi, April 19: Director Rohan Sippy’s third directorial venutre ‘Dum Maaro Dum’, which is courting controversy for its theme and backdrop, is ready to hit the screens Friday. Set in Goa, the thriller revolves around drugs, sex and violence.

Made on a budget of about Rs.20 crore, the film is releasing released Friday in 20 countries at 350 international locations and at 1,000 theatres and multiplexes throughout India and the director is hoping to strike a chord with foreign audiences with his movie. Sippy’s last directorial venture was 2005 film ‘Bluffmaster’ and the Abhishek Bachchan and Priyanka Chopra starrer was big hit. Sippy has once again teamed up with Abhishek for his first thriller, which has garnered enough publicity because of the objections by many on the ground that the film portrays Goa, one of the most sought after holiday destination among foreigners, and Goans in a bad light.

Three interesting stories are woven into the ‘Dum Maaro Dum’ script, which focuses on six people played by Abhishek, Bipasha Basu, Prateik Babbar, Aditya Pancholi and Telugu actor Rana Daggubati, who is making his Bollywood debut with it. The sixth is a mysterious character lurking in the background. In the film, Vishnu Kamat (Abhishek), a self-destructive police officer fleeing from his own past, has been asked to wipe out the local and international drug mafia operating in Goa. As he steps into the murky world, he is greeted with shocks and surprises.

Lorry (Prateik) is keen to accompany his girlfriend to a US University, but his life threatens to spiral out of control after his scholarship gets rejected. Then he meets a smooth talking hustler who promises to fix things up for him. And local musician DJ Joki (Rana) is a mute spectator of what is happening around him. He drifts aimlessly through his life after an encounter with drug mafia cost him everything he loved. He meets Zoe (Bipasha), an aspiring airhostess whose dreams turn into dust. And Lorsa Biscuita (Aditya) is the linked to all as a ruthless businessman who has his hands on every Goan pie, legal or illegal. He is the link between all the drug mafia operating in Goa. However, he finds himself pushed to extreme limit with Kamath’s arrival. And the ultimate drug kingpin whom no one knows. ‘Dum Maaro Dum’ was always meant to be an edgy thriller, but it has a strong emotional quotient too, which I believe will broaden the appeal of the film,’ said Rohan.

Abhishek had sung ‘Right here right now’ in ‘Bluffmaster’, which was immensely popular and in this film too he has has exercised his vocal chords for the song ‘Thayn Thayn’. Even before its release, the film has found itself embroiled in legal hassles. The Panaji bench of the Bombay High Court had issued notices to the director and producers of the film, over a petition seeking a ban on the film, but the court cleared its release.

Then women organisations in Goa raised objections over a dialogue of Bipasha which said that ‘women are cheaper than liquor in Goa’, however keeping in mind the sentiments, the makers decided to change that particular line. The crass lyrics of the re-mixed version of cult song ‘Dum maaro dum’ of 1971 film ‘Hare Rama Hare Krishna’ starring Zeenat Aman and Dev Anand also raised eyebrows. It invited flak not only from musicians and lyricists, also from the evergreen star and the glamour icon of yesteryear themselves.

Friday, April 8, 2011

Game

Game


Monday, April 4, 2011

Game

Cast: Abhishek Bachchan,Soniya Jehan,Jimmy Sheirgill,Sarah Jane Dias,Shahana Goswami,Sikander Kher,Kangna Ranaut,Anupam Kher,Boman Irani,Gauhar Khan
Director: Abhinay Deo

The movie GAME is jointly produced by Farhan Akhtar and Ritesh Shidwani. The movie is directed by Abhinay Deo. The famous trio of Shankar, Ehsaan and Loy are in the charge of creating the music for the songs. None other than, Javed Akhtar have taken up the responsibility of penning the lyrics for the songs of the movie. The star cast of the movie is pretty interesting and includes few of the biggest and most talented names of Bollywood. The ex Miss India Sarah Jane Dias, Jimmy Shergill, Boman Irani, Shahana Goswami, Soniya Jehan, Abhishek Bachchan, Kangana Ranaut, Anupam Kher, Gauhar Khan and Sikander Kher are part of the acting members of the flick.

The movie belongs to action and murder mystery genre. As far as the trailers are concerned, the movie seems to be sleek and cool. The plot of the movie narrates the lives of four strangers who become suspect of a murder and as the movie progresses the audience learn that each of them have a motive for murder. Abhishek plays the role of a drug lord in the movie. Jimmy plays a movie star, Shahana has the role of a journalist while Boman Irani is a politician in the movie. Game is a whodunit suspense thriller. At least it is supposed to be one. There is murder and there is a suspense game as you wonder who may have done it even as forensics say it was a mere suicide. So you have suspects, you have an investigator and you have twists in the tale.

Neil (Abhishek Bachchan), Vikram (Jimmy Shergil), Tisha (Shahana), OP Ramsay (Boman Irani) are called on to a private island in Greece by Kabir Malhotra (Anupam Kher) for different reasons. However on reaching there they learn that Kabir has different motives. He seeks revenge for his dead daughter. All the four people are in some way related to his daughter Maya (Sarah). Meanwhile Sia (Kangna) of the international vigilance squad is investigating the case. No denial that there is a good deal of suspense around who may be the murderer. But the writing is severely at fault for the lack of thrill as the story progresses. Also the characters are not backed well enough. Neil's character is the sketchiest. While he is shown to be a night club owner with people gunning after him he also other realities which don't fit too well. Same with Vikram his desperation to get a big role despite being a well established star.

What's good about Game is technically strong. It has been shot elaborately and edited as stylishly. The director's intent to make it stylish is clear and also successful. The performances too are highlights. Kangna, who just had a hit in Tanu Weds Manu, put up a better performance in Game. Abhishek Bachchan is suave and smart, Jimmy is skillful. Anupam Kher and Shahana Goswami are good. Gauhar Khar chips in. There are also some interesting dialogues written by Farhan Akhtar a very important part as there as some major clues dropped in here and there. Game has a strategic release as it is the first A-grade movie, along with FALTU, to hit the screens after the month long break due to the cricket world cup. And it has enough time to recover its money before the IPL kicks in. Plus the sleek is appealing for people who love such films. Director Abhinay Deo deserves full points here.

However, as pointed earlier, it lacks the thrill. So every time there is a twist revealed you would like it, but at no point will you be at the edge of your seats waiting for it. No thriller here. Let's just say it is more like a very ordinary cricket match, which does not hold interest for anyone except die-hard cricket fans; in this case people who love watching sleek suspense dramas. 'Game' could well be considered as amalgamation of two different styles of film making coming together. While the first half belongs to 'this is indeed serious business' variety for the mature thinking audience, the second half takes a comic book approach which is more appealing to teenagers and youth. Just like 'Race' where Abbas-Mustan didn't take time in opening their cards, even 'Game' has Abhinay Deo setting the basic premise of the film within first 20-25 minutes. One would have expected that Anupam Kher would reveal the reason behind calling four absolute strangers Abhishek Bachchan, Boman Irani, Jimmy Shergill and Shahana Goswami only towards the interval point. However there is no time wasted in not just revealing the background of these characters but also the chilling flashback (featuring Sarah Jane Dias) that started it all.

Just when audience starts wondering whether Abhinay had revealed it all too soon too fast, a murder takes place that further deepens the mystery. Arrival of Kangna an investigating officer on the scene further perks up the drama. A series of murders and suicides start taking place that only thickens the plot. One of the most interesting sequences here is the one where Boman Irani is trapped via a sting operation. Of course there are quite a few cinematic liberties being taken which makes one feel like watching a comic book affair. At one moment the characters are in Mumbai, the second moment they are in London and then there are flashbacks being interspersed where drama moves to Istanbul. Really, at some points here it becomes difficult to keep track of the series of events.

This is where the fast paced approach by Abhinay comes into picture. Especially towards the last 20 minutes of the film, there are twists and turns practically every 5 minutes which, though interesting, seem a little too simplistic to be enjoying every practical reasoning. Nevertheless, as stated earlier, by this time around you know that the film was never meant to be taken too seriously. An attempt was basically to make a cool good looking film and in this endeavour, 'Game' indeed succeeds. The same cannot be said though about the music of the film which turns out to be a big yawn on screen. Also at times the film gets bogged down during the flashback portions featuring elements of love story between Abhishek and Sarah.

Abhishek dominates the proceedings as he boasts of some smart dialogged and body language. He is pretty much at ease playing a cool and matured man here. Sarah makes a decent debut though she doesn't quite get much scope. Kangna is strictly okay. Boman Irani is good. Jimmy suffers from an ill sketched part. Shahana is hardly there while Gauhar Khan has limited presence in the film. Anupam Kher eats up everyone around in each of his major scenes in the film. The beginning portions of 'Game' give an impression of a really intriguing suspense drama in the offing while as the film nears it's culmination, it appears as if the overzealous writer wanted to bring out all tricks from his magic bag. Result? A film which could have been better off had it stuck to one style of narrative but turns out to be reasonably entertaining nonetheless.‘What a story!’ Abhishek Bachchan, playing a cross between a fugitive and a guardian angel, says wrily at the end of this elegantly crafted whodunit.

What a story, indeed. And full marks to writer Althea Delmas Kaushal for crafting a jigsaw that would have made Agatha Christie smile. It wouldn’t be incorrect to say, they don’t make movies like this anymore. Stylishly crafted, cunning in plot and deft in its narrative thrust, ‘Game’ is one of the most aesthetically mounted Hindi films in recent times. Huge efforts and resources have gone into shooting the murder mystery in places where intrigue seems infinite, escape seems undesirable and redemption appears as distant as the sound of the waves splashing against rocks that have centuries of stories to tell. Welcome to the Greek island of Samos. Anupam Kher, looking pricey in his tycoon’s avatar invites four of the most distinguished elitist-outlaws on this side of Charles Sobhraj. Each has a past tense and a future imperfect. Everyone has a history and a back-projection. This is a world defined by a wealth of unexpressed resentment and smothered anger waiting to erupt. Debutant director Abhinay Deo displays a remarkable grip over the proceedings. Though the narrative moves through a number of continents and exotic cities (Istanbul jumps out at us from the James Bond movies) propelling his tortured characters forward into motions of restless salvation, there is a quietude and grace at the heart of the narration that we’ve scarcely ever seen in desi whodunits.

The crime and its denouement are worked in graphic details. But the narrative is never bogged down by over-punctuation. For a crime thriller that pays a homage to the best traditions of the genre represented by Sherlock Holmes, Agatha Christie and James Hadley Chase, there is a tightly-wound feel to the storytelling, as though the director were moving contrary to the dictates of the genre, without slipping up with the details. If god lies in the details then why does the devil seem to have taken over ‘Game’? At heart ‘Game’ is a love story about a high-profile gambler and his doomed lady love a kind of Bonnie and Clyde with the inherent desperation of the duo’s togetherness reined-in and qualified by ripples of elegant punctuation. No hiccups, then, in Abhinay Deo’s directorial debut. Like all cinema by filmmakers who come from the ad-world ‘Game’ is a visual feast. Contrary to films by other ad-turned-feature director Deo doesn’t unnecessarily abbreviate the shots in the fear of losing audiences’ attention. The characters, specially Abhishek Bachchan’s, get sufficient breathing space in a script that favours flirting with fate.

There is a delicacy in the textures and colours used to bring forward the tensions in the plot. Shashank Tere’s art direction and Kartik Vijay’s cinematography imbue a gritty cold edge to the spill of blood and the smell of greed. The portions shot on the Greek island are particularly hypnotic, the splashing waves creating a ripple of anxieties in the turbulence of the characters’ lives without toppling the storytelling boat over into the sphere of the stormy.

Whether it is Anupam Kher as tycoon-host on the mesmeric island or Gauhar Khan as his seductive secretary, the characters never cease to appear glamorous on screen. The performers are eminently watchable. Anupam Kher, Kangna Ranaut, Boman Irani, Shahana Goswami and the underrated Jimmy Sheirgil get the tenor of tantalizing terror right. Sarah Jane Dias is quite a find, though she needs to work on her dancing skills. Her fabulously choreographed dance number suffers from the Two Left Feet Syndrome (hint hint!). Abhishek Bachchan proves once again a master of silences, his eyes conveying the pain of lost love, his lips curling up to convey the cynicism of a man who has seen it all and couldn’t care anymore. His two key action sequences are heart-stopping in their credibility. Waltzing wickedly between the incredible and the inevitable ‘Game’ succeeds in sustaining our interest right till the devilish denouement at the end. ‘Game’ is a film that never lets us forget that the whodunit attains an enticing aura only when the characters assume framed postures. Abhinay Deo’s narrative walks a fine thin bloodied balance between dread and delight.

Wednesday, February 23, 2011

Hostel

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Kaalo

No One Killed Jessica

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No One Killed Jessica DVD Scr

Tuesday, February 8, 2011

Soch Lo


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